751 lines
40 KiB
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751 lines
40 KiB
HTML
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<h1>The Lip Reader</h1>
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Episode 70</p>
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<p>Transcribed by: Matt Dittloff</p>
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<p>Cast:</p>
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<p>Jerry Seinfeld Jerry Seinfeld (well, duh!)</p>
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<p>George Castanza Jason Alexander</p>
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<p>Elaine Benes Julia Louis-Drefus</p>
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<p>Kramer Michael Richards</p>
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<p>Guest Stars: </p>
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<p>Christopher Darga Driver</p>
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<p>Linda Kash Gwen</p>
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<p>Jerry Sroka Todd</p>
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<p>Marlee Matlin Laura</p>
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<p>Veralyn Jones Renee</p>
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<p>Dylan Haggerty Young Man </p>
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<p>Bret Anthony Teen</p>
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<p>----------------------------------------------------------------------</p>
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<p>At the comedy club</p>
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<p>Jerry: Professional tennis. To me I don't understand all the shushing.
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Why are they always shushing. Shh, shh. Don't the players know that
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we're there? Should we duck down behind the seats so they don't
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see us watching them? Tennis is basically just ping-pong and the
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players are standing on the table. That's all it is. And that goofy
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scoring, you win one point and all the sudden you're up by 15. Two
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points, 30-love. 30-love. Sounds like an English call girl. "That'll
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be 30, love... And could you be a little quieter next time, please,
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shh."</p>
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<p>(Commercial)</p>
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<p>In the bleachers at the tennis court. Two players are hitting the
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ball back and forth.</p>
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<p>Jerry: Are these seats unbelievable or what?</p>
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<p>George: Where's the sunblock?</p>
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<p>Jerry: Here.</p>
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<p>George: 25? You don't have anything higher?</p>
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<p>Jerry: What, are you on Mercury?</p>
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<p>George: I need higher. This has paba in it, I need paba-free.</p>
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<p>Jerry: You got a problem with paba?</p>
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<p>George: Yes, I have a problem with paba.</p>
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<p>Jerry: You don't even know what paba is.</p>
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<p>George: I know enough to stay away from it.</p>
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<p>George: So are you going to Todd's party this weekend?</p>
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<p>Jerry: I'll go if someone else drives. You going?</p>
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<p>George: Gwen really wants to go.</p>
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<p>Jerry: You're bringing a date to a party?</p>
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<p>George: No good?</p>
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<p>Jerry: A party is a bad date situation. It doesn't matter who you're
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with. You could be with J. Edgar Hoover. You don't want to sit and
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talk with Hoover all night. You want to circulate. (Makes hand motions)
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Ho, ho, ho.</p>
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<p>George: Why'd you pick Hoover? Was he that interesting to talk
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to?</p>
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<p>Jerry: Well I would think, with the law enforcement and the cross
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dressing. Seems like an interesting guy.</p>
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<p>George: Yeah I guess. What can I do? I gotta take her with me.
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Todd introduced us, I'm obligated.</p>
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<p>Jerry: That woman is absolutely stunning.</p>
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<p>George: The Croat? [the tennis player]</p>
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<p>Jerry: Not the Croat, the lineswoman. That is the most beautiful
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lineswoman I've ever seen.</p>
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<p>George: Yeah, she's a B.L.</p>
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<p>Jerry: B.L.?</p>
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<p>George: Beautiful lineswoman. I'm going to go to the concession
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stand and get some real sunblock. You want anyting? Jerry? (Jerry
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is staring at the lineswoman) Jerry?</p>
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<p>At Elaine's office.</p>
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<p>Coworker: You know, I just heard the Lexington line is out.</p>
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<p>Elaine: You are kidding me. How am I supposed to get to this meeting?</p>
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<p>Coworker: Take a car service. We have an account.</p>
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<p>Elaine: Oh forget it, I hate those. Everytime I take one, the driver
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will *not* stop talking to me. No matter how disinterested I seem
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he just keeps yakking away. Blah, blah, blah, blah. Why does everything
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always have to have a social componant? Now a stage coach, that
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would have been a good situation for me. Cause I'm in the coach,
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and the driver is way up there on the stage. </p>
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<p>Coworker: Well you're not going to get a cab now. Four thirty in
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the afternoon? Read a magazine, keep your head down.</p>
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<p>Elaine: I guess that could work.</p>
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<p>At the tennis court concession stand. George is eating a sundae.</p>
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<p>At Jerry's apartment. Kramer is watching TV.</p>
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<p>Announcer: And that is it. The match to Ms. Natalia Valdoni. Comming
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up next, mens single, but for now let's stop a minute and take a
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look at our beautiful tennis center backdrop.</p>
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<p>Kramer: Hey, hey, it's George.</p>
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<p>George is on TV eating a sundae. His face is covered in ice cream
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and fudge. He is taking a bite of ice cream and dripping it around
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his mouth.</p>
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<p>Announcer: Holy cow it's a scorcher. Boy I bet you that guy can
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cover a lot of court. Hey buddy, they got a new invention. It's
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called a napkin. We'll take a station break and continue with more...</p>
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<p>Elaine in the car service car.</p>
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<p>Driver: Dag Gavershole Plaza (sp?) huh? (Elaine ignores him) Pendant
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Publishing, that's books right? (Elaine is annoyed and still ignoring
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him) Miss?</p>
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<p>Elaine: Pardon me?</p>
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<p>Driver: Books, that's what you do?</p>
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<p>Elaine: Yeah.</p>
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<p>Driver: Yeah, I don't read much myself, (Elaine is annoyed) well
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you know besides the paper. Yeah a lot of people read to relax,
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but not me. You know what I do? </p>
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<p>Elaine: You know I'm having a lot of trouble, um, hearing you back
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here. So...</p>
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<p>Driver: (Yelling) I said you know what I do (Elaine is very annoyed)
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when I want to relax? The Jumble. Hey do you make a book of Jumbles?</p>
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<p>Elaine: I'm going to have to be honest with you. I'm going deaf.</p>
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<p>Driver: Going deaf?</p>
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<p>Elaine: What?</p>
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<p>Driver: Oh I'm sorry.</p>
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<p>Elaine: It can be very frustrating.</p>
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<p>Driver: Hey what about a hearing aid?</p>
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<p>Elaine: An I fearing AIDS? Oh, yeah sure, who isn't. But you know
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you gotta live your life.</p>
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<p>Driver: No, no I said. Ehhh, forget it. (Elaine looks pleased)</p>
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<p>At the tennis court.</p>
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<p>Jerry: I can't take my eyes off that lineswoman. That lineswoman
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is absolutely mesmerizing.</p>
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<p>George: Boy you are really smitten.</p>
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<p>Jerry: I gotta talk to her. What do you think?</p>
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<p>George: Cold? How are you going to do that? You're not one of those
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guys.</p>
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<p>Jerry: I'm going to psyche myself into it like those people that
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just walk across the hot coals.</p>
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<p>George: They're not mocked and humiliated when they get to the
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other side.</p>
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<p>Jerry: I have to. I won't be able to live with myself.</p>
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<p>George: Wait a minute Jerry, there's a bigger issue here. If you
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go through that wall and become one of those guys I'll be left here
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on this side. Take me with you.</p>
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<p>Jerry: I can't.</p>
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<p>George: What are you going to say?</p>
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<p>Jerry: I don't know, "Hi".</p>
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<p>George: You think you're going to the other side with "Hi"?
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You're not going to make it.</p>
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<p>Elaine in the car service car.</p>
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<p>Radio: Base to 92 come in</p>
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<p>Driver: Yes this is 92</p>
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<p>Radio: After this go back to city for a 6:00 pickup</p>
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<p>Driver: Righteo</p>
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<p>Radio: 794 Bleeker the party's Hanks. Tom Hanks.</p>
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<p>Elaine: Tom Hanks? After me you're picking up Tom Hanks? I love
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him.</p>
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<p>Driver: So I guess your hearing goes in and out huh?</p>
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<p>Elaine: Yeah. Yes it does...</p>
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<p>Driver: Yeah. You know what I think? I think you made that whole
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thing up. </p>
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<p>Elaine: No no, no no.</p>
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<p>Driver: Yeah yeah, I know your type. You're too good to make conversation
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with someone like me. Oh god forbid you could discuss the Jumbles.
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But to go so far as to pretend you're almost deaf, I mean that is
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truly disgusting. And Mr. Tom Hanks, may I say he too would be disgusted
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by your behavior.</p>
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<p>At the tennis court. Jerry is standing behind the lineswoman.</p>
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<p>Jerry: Excuse me. (Woman ignores him) Excuse me? (Still ignores
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him) Oh that's nice. That's right ignore me. That's real polite.
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Nobody's even talking to you. All you big lineswoman. Oh you've
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got some kind of a cool job. I know your type thinking your too
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good for everyone, but it's women like you (woman turns around and
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notices him) oh well, what are you deaf?</p>
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<p>Laura: Bingo.</p>
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<p>At Jerry's apartment.</p>
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<p>Kramer: And you're saying she's deaf.</p>
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<p>Jerry: I'm not *saying* she's deaf, she's deaf.</p>
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<p>Kramer: Can't hear a thing.</p>
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<p>Jerry: Can't hear a thing.</p>
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<p>Kramer: And you're going to go out with her.</p>
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<p>Jerry: Yeah, isn't that something?</p>
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<p>Elaine enters.</p>
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<p>Elaine: Hey.</p>
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<p>Jerry and Kramer: Hey.</p>
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<p>Kramer: Hey I know how to sign. </p>
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<p>Jerry: Really?</p>
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<p>Kramer: Yeah when I was 8, I had a deaf cousin who lived with us
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for about a year. (signing as he speaks) So I haven't been able
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to do it in a while.</p>
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<p>Elaine: What is this about?</p>
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<p>Jerry: I met this deaf lineswoman at the tennis match.</p>
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<p>Elaine: You are kidding. That is amazing. (She pushes Jerry, Jerry
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falls back into Kramer.) I just took a car service from work and
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to get the driver to not talk to me, I pretended I was going deaf.</p>
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<p>Jerry: Wow good plan.</p>
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<!-- BeginAd01 --><!-- EndAd -->
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<p>Elaine: Oh didn't work. He caught me hearing. I know it's terrible,
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but I'm not a terrible person.</p>
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<p>Jerry and Kramer: No.</p>
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<p>Elaine: No. When I shoo squirrels away, I always say "get
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out of here". I never ever throw things at them and try to
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injure them like other people. </p>
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<p>Jerry: That's nice.</p>
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<p>Elaine: Yeah, and when I see freaks in the street I never, ever
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stare at them. Yet, I'm careful not to look away, you know, because
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I want to make the freaks feel comfortable.</p>
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<p>Jerry: That's nice for the freaks.</p>
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<p>Elaine: Yeah, and I don't poof up my hair when I got to a movie
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so people behind me can see. I've got to make it up to this guy
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or I won't be able to live with myself. What can I do?</p>
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<p>Jerry: Why don't you get him some tickets or something, how about
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that friend of yours that works at the ticket area.</p>
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<p>Kramer: Yeah yeah Pete, he can get you great tickets to something.
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Like a rock concert. Whatever you like.</p>
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<p>Elaine: Oh, thanks Kramer.</p>
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<p>Kramer: You got it. Hey Jerry, do me a favor. The next time you
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see that lineswoman ask her how those ball boys get those jobs.
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I would love to be able to do that.</p>
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<p>Jerry: Kramer, I think perhaps you've overlooked one of the key
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aspects of this activity. It's ball *boys*, not ball men. There
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are no ball men.</p>
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<p>Elaine: Yeah I think he's right. I've never seen a ball man.</p>
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<p>Kramer: Well there ought to be ball men.</p>
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<p>Jerry: All right I'll talk to her. If you want to be a ball man
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go ahead, break the ball barrier.</p>
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<p>Elaine: Hey you know a friend of mine from work said that she saw
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George at the tennis match on TV yesterday.</p>
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<p>Kramer: Yeah, yeah me too. Yeah he was at the snack bar eating
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a hot fudge sundae. He had it all over his face. He was wearing
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that chocolate on his face like a beard and they got in there real
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nice and tight. And he's... (Imitates scooping up ice cream.)</p>
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<p>At Monk's.</p>
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<p>Gwen: I'm sorry George.</p>
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<p>George: I don't understand things were going so great. What happened?
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Something must have happened.</p>
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<p>Gwen: It's not you, it's me.</p>
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<p>George: You're giving me the "it's not you, it's me"
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routine? I invented "it's not you, it's me". Nobody tells
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me it's them not me, if it's anybody it's me.</p>
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<p>Gwen: All right, George, it's you.</p>
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<p>George: You're *damn* right it's me.</p>
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<p>Gwen: I was just trying to...</p>
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<p>George: I know what you were trying to do. Nobody does it better
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than me.</p>
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<p>Gwen: I'm sure you do it very well.</p>
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<p>George: Yes well unfortunately you'll never get the chance to find
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out.</p>
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<p>George then looks confused like what he said just didn't sound
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right.</p>
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<p>At Jerry's apartment.</p>
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<p>Jerry: But I thought things were going great.</p>
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<p>George: Yeah so did I.</p>
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<p>Jerry: Did she say why?</p>
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<p>George: No. She tried to give me the "it's not you, it's me"
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routine.</p>
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<p>Jerry: But that's your routine.</p>
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<p>George: Yeah. Well aparently word's out.</p>
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<p>Kramer enters.</p>
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<p>Kramer: Hey, George, I saw you on TV yesterday.</p>
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<p>George: Really? At the tennis match?</p>
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<p>Kramer: Yeah you were at the snack bar eating a hot fudge sundae.</p>
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<p>George: Get out of here. I didn't see any cameras there.</p>
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<p>Kramer: Oh, the cameras was, vrooom, there. The announcers, they
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made a couple of cracks about you.</p>
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<p>George: Cracks? What were they saying?</p>
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<p>Kramer: That you had ice cream all over your face. They were talking
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about how funny you looked.</p>
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<p>George: Maybe Gwen saw it. Maybe that's what did it.</p>
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<p>Kramer: Well I'll tell you it wasn't a pretty sight.</p>
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<p>George: She must have seen me eating it on TV.</p>
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<p>Jerry: So she sees you with hot fudge on your face and she ends
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it? You really think she would be that superficial?</p>
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<p>George: Why not. I would be.</p>
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<p>The phone rings.</p>
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<p>Jerry: Hello... Oh hi dad... You saw him?... Really with the ice
|
|
cream?... All right I'll talk to you later, bye. </p>
|
|
<p>George: You're parents saw me on TV?</p>
|
|
<p>Jerry: Yeah.</p>
|
|
<p>George: This is nighmare. Kramer how long was I on?</p>
|
|
<p>Kramer: It felt like 8 seconds.</p>
|
|
<p>George: One-one-thousand, two-one-thousand, three-one-thousand.</p>
|
|
<p>Elaine enters.</p>
|
|
<p>Elaine: I heard you *really* inhaled that thing. Did anyone tape
|
|
it?</p>
|
|
<p>George: Can we move on?</p>
|
|
<p>Jerry: He thinks Gwen broke up with him because she saw him eating
|
|
the ice cream on TV.</p>
|
|
<p>Elaine: Oh come on. If she's that superficial you don't want her.</p>
|
|
<p>George: Yes I do.</p>
|
|
<p>Elaine: So I guess you're not going to Todd's party on Friday.</p>
|
|
<p>George: Well I can't now, Gwen's going to be there.</p>
|
|
<p>Kramer: Well she should be the one that shouldn't go.</p>
|
|
<p>Jerry: Well if a couple breaks up and have plans to go to a neutral
|
|
place, who withdraws? What's the ettiquite? </p>
|
|
<p>Kramer: Excellent question.</p>
|
|
<p>Jerry: I think she should withdraw. She's the breaker, he's the
|
|
breakee. He needs to get on with his life.</p>
|
|
<p>Elaine: I beg to differ.</p>
|
|
<p>Jerry: Really.</p>
|
|
<p>Elaine: He's the *loser*. She's the victor. To the victor belong
|
|
the spoils.</p>
|
|
<p>Jerry: Well I don't care, I don't want to go anyway. I don't want
|
|
to fight that traffic on Friday night.</p>
|
|
<p>Elaine: Well we can take the car service from my office.</p>
|
|
<p>Jerry: Really?</p>
|
|
<p>Elaine: Yeah, they don't know.</p>
|
|
<p>Kramer: All right, I'll see you later.</p>
|
|
<p>Jerry: Okay.</p>
|
|
<p>George: "To the victor goes the spoils." What are you
|
|
going to do tonight?</p>
|
|
<p>Jerry: Oh I got a date with Laura the lineswoman.</p>
|
|
<p>George: Oh. (he stands there)</p>
|
|
<p>Jerry: Why? (George fiddles with the lock on the door.) Well what
|
|
are you doing?</p>
|
|
<p>George: Well I was just going to wander the streets. Wouldn't want
|
|
to tag along with you or anything.</p>
|
|
<p>Jerry: Oh, uh, do you want to come with us?</p>
|
|
<p>George: Jerry please, that's very nice, but, uh, (closes the door)
|
|
where would we be going?</p>
|
|
<p>At a Chinese restaurant.</p>
|
|
<p>George: So, I've got ice cream all over my face. There were no
|
|
napkins there. Whoever it was that's responsible for stocking that
|
|
concession stand cost me a relationship.</p>
|
|
<p>Laura: They never have napkins there.</p>
|
|
<p>Jerry: Let's get the check. (Waves in the air) Is this considered
|
|
signing? Do you do this when you want the check? Really. I know
|
|
a sign, that's my first sign.</p>
|
|
<p>Laura: Uh, oh. That couple is breaking up.</p>
|
|
<p>George: They're breaking up? How do you know?</p>
|
|
<p>Jerry: She reads lips.</p>
|
|
<p>George: What are they saying now?</p>
|
|
<p>Laura: "It's not you, it's me."</p>
|
|
<p>George: (Holding his drink up to his mouth) Oh my gosh, I just
|
|
had a great idea. She could come to the party tomorrow and read
|
|
Gwen's lips for me.</p>
|
|
<p>Jerry: (Puts his hand over his mouth) What?</p>
|
|
<p>George: (Puts nuts into his mouth, and in the process covers his
|
|
mouth) We bring her to the party, and she can tell me what Gwen
|
|
is saying about me.</p>
|
|
<p>Jerry: (Holds his drink up to his mouth) She's not a novelty act,
|
|
George. Where you hire her out for weddings and bar mitzvas.</p>
|
|
<p>George: (Puts his hands on his face, rubbing his eyes) Look. It's
|
|
a skill, just like juggling. She probably enjoys showing it off.</p>
|
|
<p>Jerry: (Puts his napkin over his mouth) I don't know George. I'm
|
|
not sure about this.</p>
|
|
<p>George: (Puts his arms in the air, stretching, and covers his mouth
|
|
with an arm) Could you ask her, just ask her. If she says no, case
|
|
closed.</p>
|
|
<p>Jerry: (Puts his hand on his chin over his mouth) All right.</p>
|
|
<p>Jerry: Uh Laura, George was wondering if...</p>
|
|
<p>Laura: Sure. I'll do it.</p>
|
|
<p>After the restaurant. Jerry at Laura's place.</p>
|
|
<p>Jerry: So I really had a good time.</p>
|
|
<p>Laura: Yeah, me too.</p>
|
|
<p>Jerry: So you want to go to the party on Friday night?</p>
|
|
<p>Laura: Yeah.</p>
|
|
<p>Jerry: All right, we're taking a car service. So we'll swing by
|
|
and pick you up. How about six? (Laura looks offended). Six is good.
|
|
(Laura looks offended and angry). You got a problem with six? (Laura
|
|
opens the door and gets out). What? What? </p>
|
|
<p>(Commercial)</p>
|
|
<p>At the tennis court.</p>
|
|
<p>Man: Okay listen up people. There are plenty of you here, but we've
|
|
only got two spots to fill. Good luck.</p>
|
|
<p>Boy: Hey pops, isn't there a better way to spend your twilight
|
|
years?</p>
|
|
<p>Kramer: I may be old, but I'm spry.</p>
|
|
<p>Boy: The tryout lasts three and a half to four hours. Are you up
|
|
for it?</p>
|
|
<p>Kramer: Oh I'll be up for it punk.</p>
|
|
<p>Kramer fetches some balls, and he is doing some pretty fancy footwork.</p>
|
|
<p>At Jerry's apartment.</p>
|
|
<p>Jerry: See I was saying "six" but she thought I was saying
|
|
"sex". We straightened the whole thing out though.</p>
|
|
<p>George: She confused "six" with "sex"?</p>
|
|
<p>Jerry: Yeah.</p>
|
|
<p>George: Well if she can't tell "six" from "sex"
|
|
then how is she going to lip read from across the room?</p>
|
|
<p>Jerry: Well "six" and "sex" are close.</p>
|
|
<p>George: It's two completely different sounds. "ih" and
|
|
"eh".</p>
|
|
<p>Jerry: Eh.</p>
|
|
<p>George: It seems like a problem.</p>
|
|
<p>Jerry: Well I'm not dating any other deaf women.</p>
|
|
<p>Kramer enters.</p>
|
|
<p>Kramer: Hey guess who's going to be the new ball man for the finals.</p>
|
|
<p>Jerry: You're kidding.</p>
|
|
<p>Kramer: Yeah. They said they haven't seen anybody go after balls
|
|
with such gusto.</p>
|
|
<p>George: When is that car service comming?</p>
|
|
<p>Jerry: In five minutes. He's then going to pick us up, then we're
|
|
going to pick up Elaine, and Laura is going to meet us there.</p>
|
|
<p>George: If this lip reading thing works tonight do you know how
|
|
incredible this is going to be? It's like having Superman for your
|
|
friend.</p>
|
|
<p>Jerry: I know. It's like X-ray vision.</p>
|
|
<!-- BeginAd02 --><!-- EndAd -->
|
|
<p>George: If we could just harness this power and use it for our
|
|
own personal gain, there'd be no stopping us.</p>
|
|
<p>Newman enters.</p>
|
|
<p>Newman: I hear you've got some lip reader working for you. You
|
|
gotta let me use her for one day. Just one day.</p>
|
|
<p>Jerry: Can't do it Newman.</p>
|
|
<p>Newman: But Jerry, we've got this new supervisor down at the post
|
|
office. He's working behind this glass. I know they're talking about
|
|
me. They're going to transfer me, I know it. Two hours, give me
|
|
two hours.</p>
|
|
<p>Jerry: Not going to happen.</p>
|
|
<p>Newman: (Sinister) All right, all right. All right you go ahead.
|
|
You go ahead and keep it secret. But you remember this. When you
|
|
control the mail, you control... information.</p>
|
|
<p>In the car service car.</p>
|
|
<p>Jerry: Oh just pull over right there by the stop sign.</p>
|
|
<p>Driver (The same driver as before): Pardon me sir?</p>
|
|
<p>Jerry: I said pull over by the stop sign.</p>
|
|
<p>Driver: I'm so sorry, you'll have to forgive me. I can't hear a
|
|
damn thing. I went to that rock concert last night at the garden.
|
|
My seats were right up agains the speaker. It's a heavy metal group.
|
|
Metalla-something.</p>
|
|
<p>Kramer: -ca.</p>
|
|
<p>Driver: Huh?</p>
|
|
<p>George: What?</p>
|
|
<p>Jerry: ca.</p>
|
|
<p>George: ah.</p>
|
|
<p>Driver: My ears are still ringing. Some woman's idea of a joke.</p>
|
|
<p>Elaine gets in. The driver looks up and notices her. He gets angry.</p>
|
|
<p>A moment later, the group gets out of the car.</p>
|
|
<p>Driver: Get out. Get out. Go on. Hey. Shut the door.</p>
|
|
<p>Kramer shuts the door and the car takes off, squeeling the tires.</p>
|
|
<p>At the party.</p>
|
|
<p>Jerry: You know the whole idea of taking the car service was so
|
|
I wouldn't have to fight the traffic on Friday night.</p>
|
|
<p>Laura sees the group and gets up. She points to her watch.</p>
|
|
<p>Jerry: I know. I'm late. Hey now I know two signs, (puts his hand
|
|
in the air) check, and (points to his watch) late. Hey this is the
|
|
guy you helped become the first ball man.</p>
|
|
<p>Kramer and Laura start signing to each other. We see confusion
|
|
from them as they are signing. George puts his forhead on his hand.</p>
|
|
<p>Kramer: She doesn't know what she's talking about.</p>
|
|
<p>Todd: Guys you made it.</p>
|
|
<p>George: Hey hey.</p>
|
|
<p>Todd: Sorry to hear about Gwen.</p>
|
|
<p>George: Why? Did she say something to you about why she broke up
|
|
with me?</p>
|
|
<p>Todd: Oh no. Tonight will be the first chance I've had to talk
|
|
to her. Look George, I'm friends with both of you. I can't betray
|
|
her confidence by telling you anything.</p>
|
|
<p>George: I wouldn't hear of it, huh. It's none of my business. You
|
|
should try to find out everything you possibly can. In fact, I'll
|
|
even stay all the way on the other side of the room so there's no
|
|
chance of me overhearing anything.</p>
|
|
<p>Todd: You are so centered.</p>
|
|
<p>George: (to the others) Let's go, let's go. All right what are
|
|
they saying?</p>
|
|
<p>Gwen and Todd talk. Laura makes hand signs and Kramer translates.</p>
|
|
<p>Kramer: "Hi Gwen, hi tide."</p>
|
|
<p>Jerry: Hi tide?</p>
|
|
<p>Kramer: Hi Todd.</p>
|
|
<p>Kramer: "You've got something between your teeth"</p>
|
|
<p>George: What?</p>
|
|
<p>Kramer: No that's what he said. "That's interesting. I love
|
|
carrots, but I hate carrot soup. And I hate peas, but I love pea
|
|
soup." So do I.</p>
|
|
<p>Elaine: She's so wild. Can I borrow her for a few hours tomorrow
|
|
afternoon?</p>
|
|
<p>Jerry: No. If I lend her to you I'll have to lend her to everybody.</p>
|
|
<p>Gwen: I don't envy you Todd. The place is going to be a mess.</p>
|
|
<p>Todd: Maybe you can stick around after everybody leaves and we
|
|
can sweep together.</p>
|
|
<p>Kramer: "Why don't you stick around and we can sleep together."</p>
|
|
<p>George: What?</p>
|
|
<p>Kramer: "You want me to sleep with you?"</p>
|
|
<p>Todd: I don't want to sweep alone.</p>
|
|
<p>Kramer: He says "I don't want to sleep alone." She says,
|
|
oh boy, "love to."</p>
|
|
<p>George walks across the room over to them.</p>
|
|
<p>George: So you're getting rid of me and now the two of you are
|
|
going to sleep together?</p>
|
|
<p>Gwen: What? You're crazy.</p>
|
|
<p>Kramer: "What? You're crazy."</p>
|
|
<p>George: I heard your whole conversation.</p>
|
|
<p>Gwen: How?</p>
|
|
<p>Kramer: "How?"</p>
|
|
<p>George: (looks back to the group) I can read lips. You said let's
|
|
sleep together.</p>
|
|
<p>Gwen: No I didn't. I said "sweep". Let's sweep together,
|
|
you know with a broom. Cleaning up.</p>
|
|
<p>Kramer: "... with a broom, cleaning up."</p>
|
|
<p>George: Sweep?</p>
|
|
<p>Gwen: Yes sweep.</p>
|
|
<p>Kramer: "Yes sweep."</p>
|
|
<p>George: Cut it.</p>
|
|
<p>Kramer: George says "Cut it."</p>
|
|
<p>George: Cut it.</p>
|
|
<p>Kramer: George is saying "Cut it."</p>
|
|
<p>George: Cut it. (goes back to the group) (Yelling) Would you stop
|
|
signing? She said "sweep together" you idiots, not "sleep
|
|
together."</p>
|
|
<p>Laura's mouth is wide open. She looks at Kramer and points to George.
|
|
She is mad at Kramer. Aparently she did say sweep and Kramer mis-translated.
|
|
She signs to Kramer.</p>
|
|
<p>Kramer: I know how to sign.</p>
|
|
<p>Kramer and Laura are arguing back and forth with sign language.
|
|
They are gesturing signs fiercely. One of Laura's signs causes her
|
|
hand to swing backwards and hit George in the face.</p>
|
|
<p>George: Ow. My eye, my eye.</p>
|
|
<p>(Commercial)</p>
|
|
<p>At the tennis court.</p>
|
|
<p>Elaine: It's so amazing getting to see Monica Sellas playing in
|
|
the finals.</p>
|
|
<p>Jerry: I know and on the first tournament of her comeback.</p>
|
|
<p>Kramer is sitting poised on the sideline. He waves back to the
|
|
group. George and Elaine gives him a thumbs up. The two players
|
|
hit the ball back and forth. The ball lands in the net. Kramer springs
|
|
into action running toward the ball and runs into Monica Sellas.
|
|
Monica falls to the ground in pain.</p>
|
|
<p>Jerry: Thus ends the great ball man experiment.</p>
|
|
<p>Laura gets into the car service car.</p>
|
|
<p>Driver (The same driver as before): You with the tennis center?</p>
|
|
<p>Laura: Yep.</p>
|
|
<p>Driver: Hey how about that ball man injuring Monica Sellas. Wasn't
|
|
that something.</p>
|
|
<p>Laura. I'm deaf.</p>
|
|
<p>Driver: Oh. (Very suspicious look on his face.)
|
|
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