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<h1>The Beard</h1>
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Transcribed by: Matt Dittloff</p>
<p>&nbsp;</p>
<p>Episode 102</p>
<p>Cast:</p>
<p>Jerry Seinfeld - Jerry Seinfeld (well, duh!)</p>
<p>George Castanza - Jason Alexander</p>
<p>Elaine Benes - Julia Louis-Dreyfus</p>
<p>Kramer - Michael Richards</p>
<p>Guest Stars: </p>
<p>Robert - Robert Mailhouse</p>
<p>Cathy - Katherine LaNasa</p>
<p>Homeless Man - Jonathan Gries</p>
<p>Mr. Stevenson - Ed Winter</p>
<p>Mrs. Stevenson - Georgann Johnson</p>
<p>Denise - Joan Elizabeth</p>
<p>Gus - John F. O'Donohue</p>
<p>Lou - Jerry Diner</p>
<p>Officer #1 - Mirron E. Willis</p>
<p>Officer #2 - Ken Kerman</p>
<p>----------------------------------------------------------------------</p>
<p>[Opening Monologue]</p>
<p>The whole concept of the wanted poster has gotta be the most wildly optimistic<br />
crime-fighting idea. I mean, so how does it work? Okay. I'm on line at the post<br />
office. I see the guy. I see the list of offenses. I check the guy standing in line<br />
behind me. If it's not him, that's pretty much all I can do. Okay? It's not that I<br />
don't want to help. You know the annoying thing is, why didn't they hold on to<br />
this guy when they're taking his picture? &quot;No, we don't do it that way. We take<br />
their picture and we let them go. That's how we get the front and side shot. The<br />
front is his face. The side is him leaving.&quot;</p>
<p>&nbsp;</p>
<p>At Jerry's apartment.</p>
<p>Jerry: Look at you. Why don't you use a fork? You're no good with
the sticks.</p>
<p>Elaine: I know. I need a lesson.</p>
<p>Jerry: You stink. You know you stink. What is this?</p>
<p>Elaine: Oh. My ballet tickets.</p>
<p>Jerry: Oh. Your ballet tickets.</p>
<p>Elaine: Hey, have you ever been to the ballet?</p>
<p>Jerry: No, but I've seen people on tiptoes.</p>
<p>Elaine: You know, I'm going as a beard.</p>
<p>Jerry: A beard?</p>
<p>Elaine: Yeah. This friend of a friend knows this banker guy, he's,
I don't know, 30 years, unbelievably</p>
<p>gorgeous, of course he's gay.</p>
<p>Jerry: Yes.</p>
<p>Elaine: So anyway his boss has a box at the Met and he invited
us to see Swan Lake, which is fine, but he's</p>
<p>afraid that his boss can't handle his orientation, so I'm going
along as his date.</p>
<p>Jerry: Why are you doing this?</p>
<p>Elaine: Swan Lake, at the Met.</p>
<p>Kramer enters.</p>
<p>Kramer: Oh, Chinese food. I knew I smelled something.</p>
<p>Elaine: Hey, is George still wearing that toupee?</p>
<p>Jerry: Yeah.</p>
<p>Elaine: Doesn't he know how ridiculous he looks in that thing?</p>
<p>Kramer: I think he looks fantastic.</p>
<p>Elaine: Oh, come on.</p>
<p>Kramer: No, I never realized what an attractive man he is.</p>
<p>George enters, wearing a toupee.</p>
<p>George: Hey, people, people, people, people, people. Not bad, huh?
Excuse me.</p>
<p>Elaine: You look ridiculous in that thing.</p>
<p>George: Is that so? Or could it be that you're just a *little*
bit worried that you may have missed the boat?</p>
<p>Elaine: Well I think they might have sutured that thing to your
brain.</p>
<p>George: Ha ha ha ha, oh all right, go ahead, deride, deride if
you must. But let me tell you something, with </p>
<p>my personality and this set of hair, you know what I am now? I
am in the game. I no longer defer to the</p>
<p>coifed. I'm a player.</p>
<p>Kramer: You know I just thought of something. I know this gorgeous
woman, she called me up this</p>
<p>morning, she's moving into the city, and she asked me if I know
of anyone she could meet. Now you can</p>
<p>go out with her.</p>
<p>Jerry: Well what about me?</p>
<p>Kramer: No I think he's got you beat buddy.</p>
<p>George: So she's gorgeous.</p>
<p>Kramer: Oh yeah, last time I saw her she was, five years ago.</p>
<p>George: Well have you got a picture?</p>
<p>Kramer: No.</p>
<p>George: Well, I have to see her.</p>
<p>Kramer: Hey, I know what we can do. I've got a friend who works
over at the police station. He's a</p>
<p>composite artist.</p>
<p>George: Really?</p>
<p>Kramer: Yeah, yeah, maybe I can get him to draw a picture of her
for you.</p>
<p>George: Oh I would love that. You think he'd really do it?</p>
<p>Kramer: Yeah, yeah. I think he will.</p>
<p>Jerry: It sounds like an excellent idea.</p>
<p>Kramer: Hey Jerry, you want this, cause I'm going to give it to
a homeless person.</p>
<p>Jerry, George, and Kramer walking down the street.</p>
<p>George: Well I'm very excited about this. I've always wanted to
see how those sketch artists do it.</p>
<p>Kramer: Here you go brother. Some food for you.</p>
<p>Homeless man: Thank you. You're a good man. Bless you.</p>
<p>Kramer: Now are you going to be here in an hour?</p>
<p>Homeless man: Where am I going?</p>
<p>(commercial)</p>
<p>At the police station.</p>
<p>Kramer: Oh that's good, that's good. Make the eyes, uh, what's
that nut?</p>
<p>Lou: Almond?</p>
<p>Kramer: Almond. Yeah. Make the lips fuller. Poutier.</p>
<p>George: Pouty? I like that.</p>
<p>Jerry: You can't go wrong with pouty.</p>
<p>George: I'm excited about the pouty.</p>
<p>Lou: All right I think that about does it.</p>
<p>Kramer: All right George, come on, take a look.</p>
<p>George: Oh yeah, you were right. She's gorgeous.</p>
<p>Jerry: Hey, Lou, who's that woman over there?</p>
<p>Lou: Oh, that's Sergeant Tierney. Nice officer. You want to meet
her?</p>
<p>Walking down the street.</p>
<p>George: Well this worked out okay. So are you going to see the
police woman?</p>
<p>Jerry: Yeah, I think I will. I like the idea of having the law
on my side.</p>
<p>Kramer: Hey, man. Enjoy the food?</p>
<p>Homeless man: Yes I did. Where did the Chinese learn to cook like
that?</p>
<p>Kramer: Oh, listen, I'll take that Tupperware now.</p>
<p>Homeless man: I don't think so. </p>
<p>Kramer: Woah, woah, that's mine.</p>
<p>Homeless man: You gave it to me.</p>
<p>Kramer: No, no, I didn't say you could keep it. You see I don't
give away tupperware.</p>
<p>Homeless man: You should have said something.</p>
<p>Kramer: I didn't think I had to. Look with a piece of Tupperware
you just assume.</p>
<p>At the ballet.</p>
<p>Robert: I've really got to thank you for this.</p>
<p>Elaine: Well by now, you think people would be a little more open
minded.</p>
<p>Robert: Really. Would you excuse me? I have to run to the bathroom.</p>
<p>Boss' wife: So, um, you and Robert.</p>
<p>Elaine: Yes indeed.</p>
<p>Boss: I'm surprised.</p>
<p>Elaine: Really. Why?</p>
<p>Boss: No reason.</p>
<p>Elaine: Well believe me this didn't happen overnight. Robert's
not exactly a *one* *woman* *man*, if </p>
<p>you know what I mean. No sirree Bob. Sure, I mean in a lot of ways,
he's a typical guy, he likes his</p>
<p>sports, but he counters that side with the side you see here tonight
at the ballet, or the pleasure he gets in</p>
<p>watching Ms. Liza Minelli belt out a few choice numbers. It's those
two halves of his personality that just</p>
<p>come together to make him the very special guy that he is.</p>
<p>Robert comes back.</p>
<p>Elaine: Oh, hi honey.</p>
<p>Elaine grabs Robert and kisses him.</p>
<p>At Monk's.</p>
<p>Elaine: Oh it was such a great night.</p>
<p>Jerry: And did they suspect anything?</p>
<p>Elaine: No, I was a fantastic beard. I held hands, I called him
honey.</p>
<p>Jerry: And we discover yet another talent. Posing as a girlfriend
for homosexuals.</p>
<p>Elaine: Oh it was such a great night. Oh.</p>
<p>Jerry: You said that already.</p>
<p>Elaine: Oh I did?</p>
<p>Jerry: Yeah.</p>
<p>Elaine: Oh.</p>
<p>Jerry: Oh no. Don't tell me. You like him?</p>
<p>Elaine: He's incredible.</p>
<p>Jerry: Yeah, but?</p>
<p>Elaine: Yeah, I know.</p>
<p>Jerry: So?</p>
<p>Elaine: What?</p>
<p>Jerry: Not conversion. You're thinking conversion?</p>
<p>Elaine: Well it did occur to me.</p>
<p>Jerry: You think you can get him to just change teams? He's not
going to suddenly switch sides. Forget </p>
<p>about it.</p>
<p>Elaine: Why? Is it irrevocable?</p>
<p>Jerry: Because when you join that team it's not a whim. He likes
his team. He's set with that team.</p>
<p>Elaine: We've got a good team.</p>
<p>Jerry: Yeah, we do. We do have a good team.</p>
<p>Elaine: Why can't he play for us?</p>
<p>Jerry: They're only comfortable with *their* equipment.</p>
<p>Elaine: We just got along *so* great.</p>
<p>Jerry: Of course you did. Everyone gets along great when there's
<!-- BeginAd01 --><!-- EndAd -->
no possibility of sex.</p>
<p>Elaine: No, no, no, I sensed something. I did sense something.
I perceived a possibility Jerry.</p>
<p>Jerry: You realize you're venturing into uncharted waters. </p>
<p>Elaine: I realize that.</p>
<p>Jerry: Are you that desperate?</p>
<p>Elaine: Yes I am.</p>
<p>At Jerry's apartment. He is on the phone.</p>
<p>Jerry: So are you going to bring your gun?... All right, then it's
settled. First date, no weapons... All right</p>
<p>I'll see you then... Okay, bye.</p>
<p>Kramer enters. He goes into the kitchen and starts searching.</p>
<p>Jerry: What are you looking for?</p>
<p>Kramer: Tupperware.</p>
<p>Jerry: Sorry. I don't have any tupperware.</p>
<p>Kramer: I knew this was going to happen. I just made a delicious
casserole, but now it won't keep because</p>
<p>I have no Tupperware. </p>
<p>Jerry: What about a plastic bag?</p>
<p>Kramer: You must be kidding.</p>
<p>Jerry: What is the difference?</p>
<p>Kramer: The patented burp, Jerry. It locks in freshness.</p>
<p>George enters.</p>
<p>George: So I spoke a little to your little friend Denise last night.</p>
<p>Kramer: Oh yeah, you talked to her.</p>
<p>George: Yeah for two hours. She's nuts about you.</p>
<p>Kramer: Yeah well we go way back.</p>
<p>George: Why didn't anything happen between you two?</p>
<p>Kramer: Who's to say it didn't?</p>
<p>Jerry: So did you describe yourself to her over the phone?</p>
<p>George: Yes I did.</p>
<p>Jerry: What did you say to her?</p>
<p>George: What do you think I said?</p>
<p>Jerry: I don't know.</p>
<p>George: I told her the truth.</p>
<p>Jerry: As you see it?</p>
<p>George: Yes, as I see it.</p>
<p>Jerry: Did you tell her about, uh, your little hat there?</p>
<p>George: What hat?</p>
<p>Jerry: You know, you're little hair hat there.</p>
<p>George: No.</p>
<p>Jerry: Don't you think she could tell?</p>
<p>Kramer: No, no, no she can't tell. It's a perfect match. Beautiful
job.</p>
<p>Jerry: Are you kidding? I could spot that bird's nest two blocks
away.</p>
<p>George: You only think that because you know me.</p>
<p>Jerry: Have you noticed people staring at your head?</p>
<p>George: I noticed people staring at my head because they like what
they see.</p>
<p>Jerry: Well I think you should either take it off or tell her about
it.</p>
<p>Kramer: No he's not going to take it off. If he was going to go
over there bald, I never would have</p>
<p>introduced him.</p>
<p>George: Look, I guarantee she won't know.</p>
<p>Kramer: Yeah that's it. All right, I'm going to go down to the
precinct. I'm going to have lunch with Lou.</p>
<p>Jerry: Oh, I'll split a cab with you.</p>
<p>Walking down the street.</p>
<p>Kramer: Hey I'm really sorry about the other day. Really sorry.</p>
<p>Kramer drops something into the man's cup.</p>
<p>Homeless man: Hey that's my coffee!</p>
<p>At the police station</p>
<p>Jerry: Hi Sarge.</p>
<p>Tierney: Hi, I'm sorry I'm late. Some of our lineup decoys didn't
show. Hey any of you guys want to be in</p>
<p>the lineup? Make a quick 50 bucks?</p>
<p>Kramer: Sure. I will.</p>
<p>Tierney: Perfect. Just go over there with officer Lampert.</p>
<p>In the lineup room.</p>
<p>6 men stand there, one of which is Kramer.</p>
<p>Over the speaker: All of you, turn to the left.</p>
<p>Everyone turns left. Kramer turns right.</p>
<p>Over the speaker: The left.</p>
<p>Kramer turns left.</p>
<p>Over the speaker: Now turn to the right.</p>
<p>Kramer turns to the right doing a &quot;hokey pokey&quot; dance.</p>
<p>At Monk's.</p>
<p>George: (thinking to himself) Oh my god, there she is. That's the
face, just like the picture.</p>
<p>Denise: George?</p>
<p>George: Yeah. Hi. It's great to meet you.</p>
<p>Denise: Likewise. Have you been waiting long?</p>
<p>George: No, no. I just got here. A few minutes ago.</p>
<p>Denise: Good, good.</p>
<p>George: Well why don't you take off your hat and stay awhile.</p>
<p>Camera is on George. Denise takes off her hat. The camera is still
on George. His expression changes to surprise.</p>
<p>At the police station.</p>
<p>Jerry: What's that?</p>
<p>Tierney: A polygraph. It's what you civilians call a lie detector
test.</p>
<p>Jerry: Oh. Let me ask you, when someone is lying, is it true that
their pants are actually on fire?</p>
<p>Tierney: If I could tell you the famous faces that have been up
here. A certain cast member of Melrose</p>
<p>Place.</p>
<p>Jerry: Really.</p>
<p>Tierney: Have you ever seen the show?</p>
<p>Jerry: No.</p>
<p>Tierney: You can admit it Jerry. It's okay.</p>
<p>Jerry: I admit it. I don't watch it.</p>
<p>Tierney: Hey Lou, maybe we should put him on the poly.</p>
<p>Jerry: The poly?</p>
<p>Tierney: Yeah. I think you've seen it.</p>
<p>(commercial)</p>
<p>At Jerry's apartment.</p>
<p>Elaine: Melrose Place?</p>
<p>Jerry: Yes. Melrose Place.</p>
<p>Elaine: I just didn't know you watched that.</p>
<p>Jerry: Well I do.</p>
<p>Elaine: I mean every time I mention it you never say anything or
join in the conversation.</p>
<p>Jerry: Well maybe I was a little embarrassed.</p>
<p>Elaine: You mean this whole time we could have been discussing
Sydney and Michael and Jane...</p>
<p>Jerry: And Billy and Jake and Allison, yes we could have discussed
it.</p>
<p>Elaine: Why? Why were you so embarrassed?</p>
<p>Jerry: The point is I'm going to be taking this lie detector test
and that needle's going to be going wild.</p>
<p>Elaine: That is *so* stupid. Why don't you just confess?</p>
<p>Jerry: It's too stupid to confess. Look at what I'm confessing
to.</p>
<p>Elaine: So what are you going to do?</p>
<p>Jerry: I don't know. Maybe I can beat the machine.</p>
<p>Elaine: Oh, who do you think you are? Castanza?</p>
<p>Jerry: Hey you know what? I have access to one of the most deceitful,
duplicitous, deceptive minds of our</p>
<p>time. Who better to advise me?</p>
<p>Elaine takes a drink of something.</p>
<p>Elaine: Oh god this tastes terrible.</p>
<p>Jerry: Did you shake it up?</p>
<p>Elaine: No.</p>
<p>Jerry: You gotta shake it up.</p>
<p>Elaine: No. I'm sick of shaking. You've got to shake everything.</p>
<p>Jerry picks up the bottle and shakes it gently.</p>
<p>Jerry: Yeah, that's a real nuisance. This is killing me.</p>
<p>Elaine: So, I'm going out tonight with Robert and the boss and
his wife.</p>
<p>Jerry: So tonight are you going to make the move?</p>
<p>Elaine: Yeah, I think I might.</p>
<p>George enters.</p>
<p>Jerry: Hey there he is. So what happened? Could she detect it?</p>
<p>George: That's an interesting question.</p>
<p>Jerry: How so?</p>
<p>George: How so? I'll tell you how so. She's bald!</p>
<p>Elaine: What do you mean bald?</p>
<p>George: What do you think I mean bald? Bald. Bald bald.</p>
<p>Jerry: She's bald?</p>
<p>George: She's bald.</p>
<p>Elaine: Oh come on.</p>
<p>George: Oh come on? No come on. She took off her hat and there
she was (waving his hand over his</p>
<p>head) hello. It was like I was looking at myself in the mirror.</p>
<p>Elaine: Well maybe she got a haircut or something.</p>
<p>George: Let me tell you something. No one walks into a beauty parlor
and says &quot;Give me the Larry Fine.&quot;</p>
<p>Jerry: Women go bald?</p>
<p>Elaine: Yeah, I've heard of that. I mean they usually wear a wig.</p>
<p>Kramer enters.</p>
<p>Jerry: Hey.</p>
<p>Kramer: Hey.</p>
<p>George: You fixed me up with a bald woman.</p>
<p>Kramer flinches.</p>
<p>Kramer: Bald?</p>
<p>George: Yeah, that's right.</p>
<p>Elaine: Do you see the irony here? You're rejecting somebody because
they're bald.</p>
<p>George: So?</p>
<p>Elaine: (puts her hands up to her mouth) You're bald!</p>
<p>George: No I'm not. I *was* bald.</p>
<p>Elaine grabs at the toupee, George dodges the grab.</p>
<p>George: Elaine.</p>
<p>Elaine grabs again and misses. George turns around and opens the
door trying to get out. Elaine grabs the</p>
<p>toupee and runs to the window.</p>
<p>George: No, no, no Elaine.</p>
<p>Elaine: (shouting) I don't like this thing. And here's what I'm
doing with it.</p>
<p>She tosses the toupee out the window.</p>
<p>George: Nooooo.</p>
<p>He runs to the window, and the blind comes down on his head.</p>
<p>Outside.</p>
<p>The homeless man is walking down the street and sees the toupee.
He puts it on.</p>
<p>At Elaine's apartment.</p>
<p>Robert: Hahaha, why'd you start that fight with me?</p>
<p>Elaine: Well I figured that's what couples do.</p>
<p>Robert: You almost convinced me we were a couple.</p>
<p>Elaine: Well it was easy. Really.</p>
<p>Robert: Well good night, I'll call you tomorrow.</p>
<p>Elaine: Oh, uh, wait a second. Would you like to come, upstairs?</p>
<p>Robert: Upstairs?</p>
<p>Elaine: Yeah. Upstairs?</p>
<p>Robert: Elaine...</p>
<p>Elaine: I was hoping you know, that you might be interested in...
changing teams?</p>
<p>Robert: Changing teams?</p>
<!-- BeginAd02 --><!-- EndAd -->
<p>Elaine: Have you ever thought about it?</p>
<p>Robert: But I'm a starting shortstop.</p>
<p>Elaine: Robert, we need a shortstop. *Real bad*.</p>
<p>At Monk's.</p>
<p>George: I tell you, when she threw that toupee out the window,
it was the best thing that ever happened to</p>
<p>me. I feel like my old self again. Totally inadequate, completely
insecure, paranoid, neurotic, it's a</p>
<p>pleasure.</p>
<p>Jerry: Good to have you back.</p>
<p>George: And you know what else I've decided to do? I'm going to
keep seeing the bald woman.</p>
<p>Jerry: She's as good as anybody else.</p>
<p>George: Her scalp was clean. She had a nice skull. There just wasn't
a lot of hair on it.</p>
<p>Jerry: Yeah you've had like a religious awakening. You're like
a bald-again.</p>
<p>George: Going to need a little more coffee here.</p>
<p>Jerry: So George, how do I beat this lie detector?</p>
<p>George: I'm sorry, Jerry I can't help you.</p>
<p>Jerry: Come on, you've got the gift. You're the only one that can
help me.</p>
<p>George: Jerry, I can't. It's like saying to Pavorotti, &quot;Teach
me to sing like you.&quot;</p>
<p>Jerry: All right, well I've got to go take this test. I can't believe
I'm doing this.</p>
<p>George: Jerry, just remember. It's not a lie... if you believe
it.</p>
<p>Outside on the street. Jerry and Elaine walking toward each other.</p>
<p>Elaine: Hey, I did it.</p>
<p>Jerry: What?</p>
<p>Elaine: I turned him. He defected.</p>
<p>Jerry: Get out! (pushes Elaine) How? How did you do that?</p>
<p>Elaine: Because I'm a *woman*. (swiveling her hips) Ba-ba-ba-boom-chicka-boom-chicka-boom-boom-</p>
<p>boom.</p>
<p>Jerry: Elaine, do you know what you've done? You've give hope to
every woman who's ever said &quot;Too</p>
<p>bad he's gay&quot;.</p>
<p>Elaine: Well it's a lesson for the kids out there. Anything's possible.
Jeromy, I have *hit* the jackpot.</p>
<p>The perfect man. Nothing but sex and shopping.</p>
<p>At the police station.</p>
<p>Kramer is in the lineup again. He and five other people walk into
the room. They stand there for a few</p>
<p>moments. Kramer points with his eyes to the man on his left. He
then tilts his head a few times to the man</p>
<p>on his left.</p>
<p>Elsewhere at the police station.</p>
<p>Jerry is hooked up to the polygraph.</p>
<p>Lou: What's your name?</p>
<p>Jerry: Jerry Seinfeld.</p>
<p>Lou: What is your address?</p>
<p>Jerry: 129 West 81st street.</p>
<p>Lou: Did Kimberly steal Jo's baby?</p>
<p>Jerry: I don't know.</p>
<p>Camera shot on the polygraph. The pen moves back and forth on the
paper.</p>
<p>Lou: Did Billy sleep with Allison's best friend?</p>
<p>Jerry: I don't know.</p>
<p>Camera shot on the polygraph. The pen moves back and forth on the
paper. Lou and Sergeant Tierney </p>
<p>look at each other.</p>
<p>Lou: Did Jane's finance kidnap Sydney and take her to Las Vegas?
And if so, did she enjoy it?</p>
<p>Jerry: I don't know.</p>
<p>Lou: Did Jane sleep with Michael again?</p>
<p>Jerry: (He hesitates) Yes! That stupid idiot. He left her for Kimberly,
he slept with her sister. He tricked</p>
<p>her into giving him half her business, and then she goes ahead
and sleeps with him again. I mean she's</p>
<p>crazy. How could she do something like that? Oh that Jane, she
makes me so mad.</p>
<p>He picks up his coat and leaves.</p>
<p>At Jerry's apartment.</p>
<p>Jerry: He went back? What do you mean he went back?</p>
<p>Elaine: He went back.</p>
<p>Jerry: I don't understand it. You were having such a great time,
the sex, the shopping.</p>
<p>Elaine: Well here's the thing. Being a woman, I only really have
access to the, uh... equipment, what,</p>
<p>thirty, forty-five minutes a week. And that's on a good week. How
can I be expected to have the same</p>
<p>expertise as people who *own* this equipment, and have access to
it twenty-four hours a day, their entire</p>
<p>lives.</p>
<p>Jerry: You can't. That's why they lose very few players.</p>
<p>Elaine: Yeah, I guess I never really stood a chance.</p>
<p>Jerry: Well there's always a place for you, on our team.</p>
<p>Elaine: Yeah. (teary-eyed) Thanks. Is Melrose Place on?</p>
<p>Jerry: Yeah. It's coming on in a few minutes.</p>
<p>Elaine: Okay.</p>
<p>George enters.</p>
<p>Jerry: Hey. Don't worry it hasn't started.</p>
<p>Elaine: Hey George, I am *really* proud of you. I really do admire
what you've done.</p>
<p>George: Do you? That makes me so happy. Elaine's proud of me Jerry.</p>
<p>Elaine: What is the matter?</p>
<p>George: I got rejected by a bald woman. A bald woman rejected me.
Heh, you like that one? A woman</p>
<p>with no prospects and no *hair*, told me that I wasn't her type.
Apparently *baldy* likes a slimmer guy.</p>
<p>Kramer: Well I'll tell you what I think. I think she saw you with
that piece off and was devastated. You</p>
<p>blew it boy. You really blew it. And you had to ruin it for him.
Didn't you?</p>
<p>Elaine: I didn't ruin anything. He looked like an idiot. He did,
and it made him act like a jerk.</p>
<p>Jerry: All right, shut up, shut up, Melrose Place is coming on.</p>
<p>Theme song of Melrose Place plays on the TV.</p>
<p>Jerry: Oh that Michael, I hate him, he's just so smug.</p>
<p>(commercial)</p>
<p>At the police station. Kramer is in the lineup.</p>
<p>Kramer: Hey, how you doing Stu? Eddie, my man. You again? Boy,
you're a slippery one. You'd better</p>
<p>straighten up and fly right buddy boy.</p>
<p>Man: I've got an eyewitness to that jewelry store break-in. Come
here. Do you recognize anybody in the</p>
<p>lineup?</p>
<p>Homeless man: That's the guy officer. The guy there in the middle.
The tall guy with the, with the high</p>
<p>hair. I'd recognize him anywhere.</p>
<p>Man: Hey you, you with the high hair, step forward.</p>
<p>Kramer: Me?</p>
<p>The End.</p>
<p>
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