732 lines
33 KiB
HTML
732 lines
33 KiB
HTML
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<h1>The Engagement</h1>
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Transcribed in Korea by for some esl class and then final editing by
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TheNewsGuy(Mike)</p>
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<p>Cast</p>
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<p> ======</p>
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<p> Mario Joyner [ Himself (The friend)], </p>
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<p> Janni Brenn [ Woman #2 ], </p>
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<p> Mailon Rivera [ Cop #1 ], </p>
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<p> Athena Massey [ Melanie ], </p>
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<p> Ron Byron [ Man ], </p>
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<p> Renee Phillips [ Alice ], </p>
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<p> Cindy Cheung [ Woman #1 ] </p>
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<p>Broadcast: 21 Sep 95 </p>
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<p> Episode 1, year 7</p>
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<p> Written by: Larry David </p>
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<p> Directed by: Andy Ackerman</p>
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<p> </p>
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<p>Scene</p>
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<p> [George's Apartment]</p>
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<p> </p>
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<p> George: Well, you got no place to go. I'll tell you what your problem
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is: You brought your queen out too fast. What do you think? She's one
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of these feminists looking to get out of the house? No, the queen is old
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fashioned. . Likes to stay home. Cook. Take care of her man. Make sure
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he feels good.</p>
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<p> Liz: Checkmate.</p>
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<p> George: I don't think we should see each other any more.</p>
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<p> </p>
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<p> Scene</p>
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<p> At Elaine:'s. She's trying to get some rest. [dogs barking]</p>
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<p> </p>
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<p> Elaine: Shut up! Shut up! You stupid mutt.</p>
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<p> </p>
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<p> Scene</p>
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<p> [Monk's]</p>
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<p> </p>
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<p> Jerry: And you broke up with her 'cuz she beat you at chess? That's
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pretty sick.</p>
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<p> George: I don't see how I could perform sexually in a situation after
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something like that. I was completely emasculated. Anyway, it's not the
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only reason.</p>
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<p> Jerry: Yeah, what else?</p>
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<p> George: All right. You wanna know what one of her favorite expressions
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is? Happy, Pappy?</p>
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<p> Jerry: Happy, Pappy? What does that mean?</p>
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<p> George: Like if she wants to know if I'm pleased with something, she'll
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say, "Happy, Pappy?"</p>
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<p> Jerry: Oh, you're "Pappy".</p>
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<p> George: I'm "Pappy".</p>
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<p> Jerry: Oh, I get it. Why don't you just say it?</p>
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<p> George: Oh, come on. What, are you kidding? George: I'm much more comfortable
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criticizing people behind there backs. Anyway, look who's talking. You
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just broke up with with Melanie last week because she "shuushed you"
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while you were watching TV.</p>
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<p> Jerry: Hey, I got a real thing about "shushing"!</p>
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<p> George: What is this? Did you ever get the feeling like you've had a
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haircut but you didn't have one? I'm all itchy back here.</p>
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<p> Jerry: Ahh.</p>
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<p> George: What?</p>
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<p> Jerry: What is this? What are we doing? What in god's name are we doing?</p>
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<p> George: What?</p>
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<p> Jerry: OUR LIVES!! . What kind of lives are these? We're like children.
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We're not men.</p>
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<p> George: No, we're not. We're not men.</p>
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<p> Jerry: We come up with all these stupid reasons to break up with these
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women.</p>
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<p> George: I know. I know. That's what I do. That's what I do.</p>
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<p> Jerry: Are we going to be sitting here when we're sixty like two idiots?</p>
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<p> George: . We should be having dinner with our sons when we're sixty.</p>
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<p> Jerry: We're pathetic… you know that?</p>
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<p> George: Yeah, Like I don't know that I'm pathetic.</p>
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<p> Jerry: Why can't I be normal?</p>
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<p> George: Yes. Me, too. I wanna be normal. Normal.</p>
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<p> Jerry: It would be nice to care about someone.</p>
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<p> George: Yes. Yes. Care. You know who I think about a lot? Remember Susan:
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? The one that used to work for NBC?</p>
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<p> Jerry: Hmm. I thought she became a lesbian.</p>
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<p> George: No. It didn't take.</p>
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<p> Jerry: Oh.</p>
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<p> George: Did I tell you I ran into her last week? Ho-ho, she looked great.</p>
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<p> Jerry: Hmm.</p>
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<p> George: You thought she was good looking, right?</p>
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<p> Jerry: See, there you go again. What is the difference what I think?</p>
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<p> George: I was just curious.</p>
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<p> Jerry: Well, this is it. I'm really gonna do something about my life,
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you know? You know, I think I'm gonna call Melanie again. So what if she
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shushed me. George:, I am really gonna make some changes.</p>
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<p> George: Yes. Changes.</p>
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<p> Jerry: I'm serious about it.</p>
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<p> George: Think I'M not?</p>
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<p> Jerry: I'm not kidding.</p>
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<p> George: Me, too.</p>
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<p> </p>
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<p> Scene</p>
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<p> [At Jerry:'s. He's on the phone]</p>
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<p> </p>
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<p> Jerry: Melanie, you can shush me at every opportunity. 5? 3? Oh, it
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was just an expression. All right, well, that's very sweet of you. Okay,
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I'll call you later. All right, bye. Hey!</p>
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<p> Kramer: What? </p>
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<p>Jerry: I had a very interesting lunch with George: Costanza today.</p>
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<p> Kramer: Really?</p>
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<p> Jerry: We were talking about our lives and we both kind of realized
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we're kids. We're not men.</p>
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<p> Kramer: So, then you asked yourselves, "Isn't there something more
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to life?"</p>
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<p> Jerry: Yes. We did.</p>
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<p> Kramer: Yeah, well, let me clue you in on something. There isn't.</p>
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<p> Jerry: There isn't?</p>
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<p> Kramer: Absolutely not. I mean, what are you thinking about, Jerry:?
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Marriage? Family?</p>
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<p> Jerry: Well...</p>
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<p> Kramer: They're prisons. Man made prisons. You're doing time. You get
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up in the morning. She's there. You go to sleep at night. She's there.
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It's like you gotta ask permission to use the bathroom. Is it all right
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if I use the bathroom now?</p>
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<p> Jerry: Really?</p>
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<p> Kramer: Yeah, and you can forget about watching TV while you're eating.</p>
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<p> Jerry: I can?</p>
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<p> Kramer: Oh, yeah. You know why? Because it's dinner time. And you know
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what you do at dinner?</p>
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<p> Jerry: What?</p>
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<p> Kramer: You talk about your day. How was your day today? Did you have
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a good day today or a bad day today? Well, what kind of day was it? Well,
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I don't know. How about you? How was your day?</p>
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<p> Jerry: Boy.</p>
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<p> Kramer: It's sad , Jerry. It's a sad state of affairs..</p>
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<p> Jerry: I'm glad we had this talk.</p>
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<p> Kramer: Oh, you have no idea.</p>
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<p> </p>
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<p> Scene</p>
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<p> [Apiphany scene - on the pier]</p>
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<p> </p>
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<p> George: La-la-la...</p>
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<p> </p>
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<p> Scene</p>
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<p> [Jerry's. Elaine pops in, she looks like something the cat just dragged
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in]</p>
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<p> </p>
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<p> Kramer: Hey.</p>
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<p> Jerry: Hey.</p>
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<p> Elaine: Three hours of sleep again last night.. Three hours of sleep
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because of that dog.</p>
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<p> Kramer: What dog?</p>
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<p> Kramer: Yeah. What dog?</p>
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<p> Elaine: This dog in the courtyard across from my bedroom window that
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never never stops barking..</p>
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<p> Kramer: Don't...</p>
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<p> Elaine: I lost my voice screaming at this thing. I can't sleep. I can't
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work. I mean, I just moved. I can't move again. What am I gonna do? What?
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What am I gonna do?</p>
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<p> Kramer: Well, there is something you can do.</p>
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<p> Elaine: What? Kramer:, I'll do anything.</p>
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<p> Kramer: Well, what if there should be an unfortunate accident?</p>
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<p> Jerry: You're going to rub out the dog?</p>
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<p> Kramer: No, no. Not me. I just happen to know someone who specializes
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in exactely these kinds of sticky situations.</p>
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<p> Elaine: Uh-huh.</p>
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<p> Jerry: What, you're considering this?</p>
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<p> Kramer: Look, just meet with him. ?????.</p>
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<p> </p>
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<p> Scene</p>
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<p> [Newman's - dark and dangerous]</p>
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<p> </p>
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<p> Elaine: I don't really know why I'm here. Kramer talked me into coming
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up here. But, obviously, I could never really do anything.</p>
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<p> Newman: Of course. Obviously.</p>
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<p> Elaine: Uh, so, anyway, I'm sorry for wasting your time.</p>
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<p> Newman: What kind of dog did you say it was?</p>
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<p> Elaine: Um, I don't know. I've never really seen it.</p>
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<p> Newman: I see many dogs on my mail route. I'll bet there's not one type
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of mutt or mongrel I haven't run across. </p>
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<p> Newman: If you ask me, they have no business living amongst us. Vile,
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USELESS BEASTS . . . </p>
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<p>Kramer: Newman: ! Stop it!!</p>
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<p> Newman: Anyway.</p>
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<p> Elaine: Yeah. Well um, I was just curious if I were interested in availing
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myself of your services, um, what exactly would you do?</p>
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<p> Newman: Well, Elaine:, There's any number of things I could do. But,
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<!-- BeginAd01 --><!-- EndAd -->
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I can promise you this, though, this vicious beast will never bother you
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again. So, what's it going to be?</p>
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<p> Elaine: No, I'm sorry. I can't hurt a dog. I can't hurt a dog. I can't.</p>
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<p> Kramer: I got it. We'll kidnap him . and we'll drop him off Upstate
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and this way he won't bother you anymore and he won't get hurt.</p>
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<p> Newman: Yeah, I suppose.</p>
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<p> Kramer: Huh?</p>
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<p> Elaine: I'd have to think about it. I doubt it, though. I doubt it.
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I'll let you know.</p>
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<p> Newman: Of course. Take your time. I be here.</p>
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<p> </p>
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<p> Scene</p>
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<p> [George: is still at the pier. His thoughts shift somewhat.]</p>
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<p> </p>
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<p> George: La-la-la-la-la-la-la! [flashbacks to Susan: ]</p>
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<p> </p>
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<p> Scene</p>
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<p> [Elaine's .- makes phone call]</p>
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<p> </p>
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<p> Elaine: All right. Let's do it.</p>
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<p> Newman: Excellent. Excellent.</p>
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<p> </p>
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<p> Scene</p>
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<p> [Restaurant]</p>
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<p> </p>
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<p> Jerry: How come you're eating your peas one at a time?</p>
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<p> Melanie I'm sorry.</p>
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<p></p>
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<p> Scene</p>
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<p> [Susan's]</p>
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<p> </p>
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<p> Susan: Who is it?</p>
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<p> George: It's George:.</p>
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<p> Susan: George:? George:, what is it?</p>
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<p> George: Will you marry me?</p>
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<p> </p>
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<p> Scene</p>
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<p> [George is on the phone.]</p>
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<p></p>
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<p> George: Ma, guess what!</p>
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<p> Mrs. C: Oh, my god!</p>
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<p> George: No, it's nothing bad. I'm getting married.</p>
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<p> Mrs. C: You're what?</p>
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<p> George: I'm getting married?</p>
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<p> Mrs. C: Oh, my god! You're getting married?</p>
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<p> George: Yes!</p>
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<p> Mrs. C: Oh, I can't believe it. Frank, come here.</p>
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<p> Frank: You come here.</p>
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<p> Mrs. C: Georgie's getting married.</p>
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<p> Frank: What?</p>
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<p> Mrs. C: Georgie's getting married.</p>
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<p> Frank Get the hell out of here. He's getting married?</p>
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<p> Mrs. C Yes.</p>
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<p> Frank To a woman?</p>
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<p> Mrs. C: Of course to a woman. What's she look like?</p>
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<p> Frank: I'm sure she's pretty gorgeous.</p>
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<p> George: What difference does it make what she looks like?</p>
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<p> Mrs. C: Is she pretty?</p>
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<p> George: Yes, she's pretty. What difference does it make?</p>
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<p> Mrs. C: Oh, I'm just curious.</p>
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<p> Frank: She's not pretty?</p>
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<p> Mrs. C: Let me talk to her.</p>
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<p> George: She wants to talk to you.</p>
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<p> Susan: : Uh, hello?</p>
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<p> Mrs. C: Congratulations!</p>
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<p> Susan: : I just want you to know that I love your son very much.</p>
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<p> Mrs. C: You do?</p>
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<p> Susan: : Yes.</p>
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<p> Mrs. C Really?</p>
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<p> Susan: : Yes.</p>
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<p> Mrs. C: May I ask why?</p>
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<p> Frank Okay...</p>
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<p> Mrs. C: Will you stop. I'm on the telephone.</p>
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<p> Frank :Can I talk to her, please?</p>
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<p> </p>
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<p> Scene</p>
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<p> [Outside Jer's and Cosmo's apt.] </p>
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<p> </p>
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<p> Jerry: Hey!</p>
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<p> Kramer: Hey!</p>
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<p> Jerry: What are you up to?</p>
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<p> Kramer: Nothing.</p>
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<p> Jerry: What's the rope for?</p>
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<p> Kramer: Oh! Well, How do you like that. I got rope. Um, I gotta go.</p>
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<p> Jerry: The dog. You're getting the dog.</p>
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<p> George: Hey, Kramer:, where are you going?</p>
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<p> Kramer: Out.</p>
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<p> George: Don't go. Kramer:! Come back. I got great news. Well, I did
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it.</p>
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<p> Jerry: Did what?</p>
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<p> George: I got engaged. I'm getting married. I asked Susan: to marry
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me. We're getting married this Christmas.</p>
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<p> Jerry: You're getting married?</p>
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|
<p> George: Yes!</p>
|
|
<p> Jerry: Oh, my god!</p>
|
|
<p> George: I'm a man. Jerry:, I'm a man. And do you know why? It's because
|
|
of that talk we had. You were my inspiration. Do you believe it? You.
|
|
That lunch was the defining moment of my life.</p>
|
|
<p> Jerry: I'm blown away.</p>
|
|
<p> George: You're blown?</p>
|
|
<p> Jerry: Wow!</p>
|
|
<p> George: You like that?</p>
|
|
<p> Jerry: And she said "Yes"?</p>
|
|
<p> George: It took a couple of hours of convincing. I was just like those
|
|
guys in the movies. And it worked! She said "Yes"! I can't believe
|
|
my luck that she was still available . A beautiful woman like that. You
|
|
think she's good looking, right?</p>
|
|
<p> Jerry: You're gonna have gorgeous kids.</p>
|
|
<p> George: Yes. She's got great skin - a rosy glow..</p>
|
|
<p> Jerry: Pinkish hue?</p>
|
|
<p> George: Oh, she's got the hue. So, what's going on with you and Melanie?
|
|
I mean, I know you're not getting married, but uh, things are happening?</p>
|
|
<p> Jerry: Well...actually, we kind of broke up.</p>
|
|
<p> George: You what?</p>
|
|
<p> Jerry: Well, you know, we were having dinner the other night, and she's
|
|
got this strangest habit. She eats her peas one at a time. You've never
|
|
seen anything like it. It takes her an hour to finish them. I mean, we've
|
|
had dinner other times. I've seen her eat Corn Niblets. 4But she scooped
|
|
them.</p>
|
|
<p> George: . . . she scooped her niblets?</p>
|
|
<p> Jerry: Yes. That's what was so vexing.</p>
|
|
<p> George: Uh-huh. Uh-huh. What about the pact?</p>
|
|
<p> Jerry: What?</p>
|
|
<p> George: What happened to the pact? We were both gonna change. We shook
|
|
hands on a pact. 9Did you not shake my hand on it uh?</p>
|
|
<p> Jerry: You stuck your hand out, so I shook it. I don't know about a
|
|
pact. Anyway, you should be happy you're engaged. You're getting married.</p>
|
|
<p> George: Well, it's not that. I just, you know, I thought that we were
|
|
both uh...</p>
|
|
<p> Jerry: You thought I was gonna get married?</p>
|
|
<p> George: Well, maybe not married, but...</p>
|
|
<p> Jerry: I mean, you love Susan: , right?</p>
|
|
<p> George: Yeah.</p>
|
|
<p> Jerry: You want to spend the rest of your life with her</p>
|
|
<p> George: . . . . . . Yeah.</p>
|
|
<p> Jerry: So?</p>
|
|
<p> George: Yeah. It doesn't make any difference.</p>
|
|
<p> Jerry: No. So, we're still on to see uh, Firestorm tonight?</p>
|
|
<p> George: Yeah.</p>
|
|
<p> Jerry: I'll pick you up at your apartment. We'll go to the Eight.</p>
|
|
<p> George: Yeah.</p>
|
|
<p> Jerry: Hey, wait a second. Wait a second. ! How about some champagne?</p>
|
|
<p> George: Champagne?</p>
|
|
<p> Jerry: Yes, come on! How often do you get engaged? Come on!</p>
|
|
<p> George: Okay! Alright!</p>
|
|
<p> Jerry: You know what? No champagne. . . . I'll see you later.</p>
|
|
<p> George: Yeah.</p>
|
|
<p> </p>
|
|
<p> Scene</p>
|
|
<p> [Night outside]</p>
|
|
<p> </p>
|
|
<p> Elaine: That's it. That's it. Stop right here. </p>
|
|
<p> Newman: All right, give me the rope.</p>
|
|
<p> Elaine: What? What do you need a rope for?</p>
|
|
<p> Newman: Look, I don't have time to explain every little thing to you.</p>
|
|
<p> Elaine: I don't know. Now, I'm thinking maybe we shouldn't do this.</p>
|
|
<p> Newman: I knew you'd back out.</p>
|
|
<p> Elaine: Kramer:, are we doing a bad thing?</p>
|
|
<p> Kramer: Well, Look at it this way. We drop the dog off in front of somebody's
|
|
house in the country. They find it and adopt it. Now the dog is prancing
|
|
in the fields. Dancing and prancing. Fresh air. . Dandelions. We're doing
|
|
this dog a real favor. </p>
|
|
<p> Elaine: Yeah. That's him.</p>
|
|
<p> Newman: All right. I'm going in. Keep the motor running.</p>
|
|
<p> </p>
|
|
<p> Scene</p>
|
|
<p> [George:'s.]</p>
|
|
<p> </p>
|
|
<p> Jerry: Ready?</p>
|
|
<p> George: Um, I don't uh, really think I can go.</p>
|
|
<p> Jerry: Oh, how come?</p>
|
|
<p> George: Well, I didn't really tell Susan: about it, and she doesn't
|
|
really have anything else to do. </p>
|
|
<p> Jerry: Well, she could come.</p>
|
|
<p> George: Well, she doesn't really want to see Firestorm.</p>
|
|
<p> Jerry: Oh.</p>
|
|
<p> George: She um, she wants to see The Muted Heart.</p>
|
|
<p> Jerry: Oh, The Muted Heart. Glen Close. Sally Field. Well, that should
|
|
be good.</p>
|
|
<p> George: Yeah. see you later.</p>
|
|
<p> Jerry: Hey, wait a second. You know, we could share a cab. They're playing
|
|
at the same Cineplex.</p>
|
|
<p> Susan: George, better get read </p>
|
|
<p> George: I am ready.</p>
|
|
<p> Susan: You wearing that shirt?.</p>
|
|
<p> George: Okay, I guess I'll see you down there.</p>
|
|
<p> Jerry: Yeah.</p>
|
|
<p> George: Okay.</p>
|
|
<p> </p>
|
|
<p> Scene</p>
|
|
<p> [In the van.]</p>
|
|
<p> </p>
|
|
<p> Elaine: What time you got?</p>
|
|
<p> Kramer: Oh, no. I don't wear a watch.</p>
|
|
<p> Elaine: What do you do?</p>
|
|
<p> Kramer: Well, I tell time by the sun.</p>
|
|
<p> Elaine: How close do you get?</p>
|
|
<p> Kramer: Well, I can guess within an hour.</p>
|
|
<p> Elaine: Tsk. Well, I can guess within the hour, and I don't even have
|
|
to look at the sun.</p>
|
|
<!-- BeginAd02 --><!-- EndAd -->
|
|
<p> Kramer: Yeah.</p>
|
|
<p> Elaine: Well, what about at night? What do you do then?</p>
|
|
<p> Kramer: Well, night's tougher but it's only a couple of hours.</p>
|
|
<p> Newman: Let's go. Let's go. Move!</p>
|
|
<p> Kramer: You got it?</p>
|
|
<p> Newman: What do you think? Drive. Drive.</p>
|
|
<p> Elaine: Where is it? Where is it? This? This is the dog?</p>
|
|
<p> Newman: Yep.</p>
|
|
<p> Elaine: But he's so small.</p>
|
|
<p> Newman: Yeah, but he's a fighter.</p>
|
|
<p> Elaine: That can't be the dog. Are you sure you got the right one?</p>
|
|
<p> Newman: Look, you said the one in the second courtyard. He was in the
|
|
second courtyard.</p>
|
|
<p> Elaine: How could that be the dog?</p>
|
|
<p> Kramer: Well, get him to bark.</p>
|
|
<p> Elaine: Yeah. Yeah. I'll know if he barks.</p>
|
|
<p> Newman: All right. Bark.</p>
|
|
<p> Elaine: Bark.</p>
|
|
<p> Newman: Bark.</p>
|
|
<p> </p>
|
|
<p> Scene</p>
|
|
<p> [At the theater]</p>
|
|
<p> </p>
|
|
<p> Susan: Did you like it?</p>
|
|
<p> George: Yes, it was very, very good.</p>
|
|
<p> Susan: Oh, do you think he'll ever find her again?</p>
|
|
<p> George: Oh, I sure hope so.</p>
|
|
<p> Jerry: How about when Harrison Ford jumped out of that plane, and he
|
|
was shooting back at them as he was falling?</p>
|
|
<p> Friend: What about that underwater escape?</p>
|
|
<p> Jerry: Oh, man!</p>
|
|
<p> </p>
|
|
<p> Scene</p>
|
|
<p> [In the van]</p>
|
|
<p> </p>
|
|
<p> Kramer: Let's turn the radio on. Maybe there's a news report about it.</p>
|
|
<p> Newman: ???????</p>
|
|
<p> Elaine: You think we're far enough.</p>
|
|
<p> Newman: We're practically to Monticello.</p>
|
|
<p> Kramer: Yeah. This looks right. All right. Give me the dog. Okay, boy.
|
|
This is it. This is your new home. Let go of my shirt. Come on. Let go
|
|
of my shirt. This shirt is from Rudy's.</p>
|
|
<p> </p>
|
|
<p> Scene</p>
|
|
<p> Jerry:'s on the phone with his newly imprisoned buddy, Georgie.</p>
|
|
<p> </p>
|
|
<p> George: Hello?</p>
|
|
<p> Jerry: Hey, ??? is rerunning the Yankee game. You watching this?</p>
|
|
<p> George: They are?</p>
|
|
<p> Susan: George:, you coming to bed? I'm taping mad About You.</p>
|
|
<p> George: Uh, yeah, I'll be there in a minute.</p>
|
|
<p> Jerry: What was that?</p>
|
|
<p> George: Uh, nothing. I got to go.</p>
|
|
<p> Jerry: Oh, Mattingly just sinled .</p>
|
|
<p> George: You know, it was really wrong of you to back out on that deal.</p>
|
|
<p> Jerry: I didn't make a deal. I just shook your hand.</p>
|
|
<p> George: Yeah, Well that's a deal where I come from.</p>
|
|
<p> Jerry: We come from the same place.</p>
|
|
<p> Susan: George:, I'm starting it.</p>
|
|
<p> George: I got to go.</p>
|
|
<p> </p>
|
|
<p> Scene</p>
|
|
<p> [At the pooch's pad. ]</p>
|
|
<p> </p>
|
|
<p> Lady Roxy! Where have you been? We've been worried sick about you. What's
|
|
this? Hmm. Rudy's.</p>
|
|
<p> </p>
|
|
<p> Scene</p>
|
|
<p> [Elaine's bedroom - dog barking]</p>
|
|
<p> </p>
|
|
<p> Elaine: No! No! It's impossible. It's impossible.</p>
|
|
<p> </p>
|
|
<p> Scene</p>
|
|
<p> [At Jerry:'s. ]</p>
|
|
<p> </p>
|
|
<p> Elaine: I don't know. I don't know how it happened. We were practically
|
|
in Monticello. I mean, how could that thing have found its way back? There's
|
|
no way.</p>
|
|
<p> Jerry: Very strange.</p>
|
|
<p> Elaine: I know.</p>
|
|
<p> Jerry: So, tell me anyway. Who was the BIG mastermind?</p>
|
|
<p> Elaine: Oh, I can't Jerry:. 4I'm sworn to secrecy.</p>
|
|
<p> Jerry: All right. But then I can't tell you the BIG news.</p>
|
|
<p> Elaine: News? What news?</p>
|
|
<p> Jerry: Sorry!</p>
|
|
<p> Elaine: What? What?</p>
|
|
<p> Jerry: All right, Elaine but this is beyond news. This is like Pearl
|
|
Harbor. Or the Kennedy assassination. It's like not even news. It's total
|
|
shock.</p>
|
|
<p> Elaine: Oh, come on, Jerry:. Please, please, please, please, please!</p>
|
|
<p> Jerry: George Costanza...</p>
|
|
<p> Elaine: Yeah?</p>
|
|
<p> Jerry: Is getting married!</p>
|
|
<p> Elaine: Get out!</p>
|
|
<p> </p>
|
|
<p> Scene</p>
|
|
<p> [Outside kramer's apartmen]</p>
|
|
<p></p>
|
|
<p> Kramer: Hi.</p>
|
|
<p> Cop: You Cosmo Kramer:?</p>
|
|
<p> Kramer: Uh, yes. Yeah.</p>
|
|
<p> Cop: You recognize this piece of fabric?</p>
|
|
<p> Kramer: Oh, yeah, that's...</p>
|
|
<p> Cop: What?</p>
|
|
<p> Kramer: What?</p>
|
|
<p> Cop: You're under arrest.</p>
|
|
<p> Kramer: Arrest?</p>
|
|
<p> Cop: I have a receipt for a rental car with your signature. Including
|
|
a report with some damage to the rear seat. It seems the spring was so
|
|
compressed it completely collapsed the right side..</p>
|
|
<p> Jerry: Newman: .</p>
|
|
<p> </p>
|
|
<p> Scene</p>
|
|
<p> [Cop at Newman: 's door]</p>
|
|
<p> </p>
|
|
<p> Newman: What took you so long?</p>
|
|
<p> </p>
|
|
<p> Scene</p>
|
|
<p> [back of a Cop car] </p>
|
|
<p> </p>
|
|
<p> Kramer: Hey, what do you think they'll do to us?</p>
|
|
<p> Newman: Ah, don't worry about a thing. In twenty minutes that place'll
|
|
be swarming with mailmen. We'll be back on the street by lunch.</p>
|
|
<p> Elaine: I gotta make some changes. I'm not a woman. I'm a child. What
|
|
kind of life is this?</p>
|
|
<p> </p>
|
|
<p>[George and Susan: in bed - MAY music]</p>
|
|
<p>END</p>
|
|
|
|
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